Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search

 

Leading Dance Theatre Company Comes to THE EDGE

News Release – 22 January 2004

FOR IMMEDIATE RELEASE

Leading Dance Theatre Company Comes to THE EDGE

Tumbleweeds tumble, lizards slither and flowers blossom as the natural beauty of the American desert landscape dances to life when leading American dance theatre company MOMIX performs its visually stunning production of Opus Cactus in Auckland in February.

For the first time ever in New Zealand, THE EDGE®, in association with Columbia Artists Management Inc, presents Opus Cactus in the ASB Theatre, Aotea Centre, THE EDGE® from February 10-15.

Hot, sexy and sultry, Opus Cactus is inspired by the giant saguaro cactus of Southwest America and is the creation of American dance legend Moses Pendleton, co-founder of Pilobolus Dance Theatre and founder of MOMIX.

Astonishing inventiveness and physical beauty are the hallmarks of MOMIX, celebrated for its otherworldly imagery, playful humour and original use of props, light, music and the human form. Under the direction of Moses Pendleton, this company of dancer-illusionists integrate classical dance, gymnastics and ballet in a way that delights people of all ages.

Sold out at the Verona Festival in Italy, MOMIX’s Opus Cactus has wowed audiences throughout the world, and now, in this strictly limited Auckland season, THE EDGE® gives New Zealand audiences the opportunity to see the astonishing talents of this dance theatre company.

Opus Cactus is Moses Pendleton’s sensual celebration of the natural beauty and indigenous creatures of the American Southwest’s Sonoran Desert – from the fluttering cactus wren to the slithering human Gila monster.

“It’s very sensuous and very organic,” Moses Pendleton says. “I use the dancers’ bodies to connect the flora and fauna.”

Opus Cactus also features an eclectic array of music – from Bach to Brian Eno – and full-stage puppet creations by Michael Curry, one of the creators of the puppets for Disney’s The Lion King.

“… there are enough of those patented MOMIX moments – when your eyes forget to blink and your breath forgets to come out – to make ‘Cactus’ another winning addition to the repertory” – Newsday

“The beauty of MOMIX’s ideas is partly in their simplicity, partly in their acknowledgement of rhythm, humour, sex and amazing grace of the human body.” – San Francisco Bay Guardian

“This zany group got off to a rip-roaring start as a packed house clamoured for more.” – The New York Times

Tickets for Opus Cactus at the ASB Theatre, Aotea Centre, THE EDGE® are on sale now. Book at Ticketek 09 307-5000 or online at www.ticketek.com

ENDS


BACKGROUND PROFILE
Moses Pendleton
Momix Founder/Artistic Director/Choreographer

Born and raised on a dairy farm in northern Vermont, Moses Pendleton co-founded Pilobolus Dance Theatre in 1971. In the early 1970s, Pilobolus won worldwide acclaim for its innovative blend of acrobatics and imagination, including the Berlin Critics Prize in 1975.
Moses began working outside Pilobolus in 1980 when he choreographed the closing ceremonies for the Winter Olympics at Lake Placid. He also performed his solo, Momix, at the Games, which became the name of the company he founded the following year.
In addition to his work with Momix, Moses has been active as choreographer and performer for numerous other companies. In 1980 he revived Picabia’s Dadaist Ballet Relache for the Joffrey Ballet. He created the role of the fool for Yuri Lyubimov’s production of Mussorgsky’s Kovanschina at Milan’s La Scala in 1982 and later that year staged and performed in the Deutsche Opera’s production of Tutuguri, based on the writings of Antonin Artaud, in Berlin.
He choreographed Stravinsky’s Pulcinella for the Ballet de Nancy in 1985 and Rameau’s Platee for the US Spoleto Festival in 1987.
In 1988 he supplied choreographic mise-en-scene for a revival of Cocteau’s Les Maries de la Tour Eiffel for the inauguration of the Florence Gould Hall at the Alliance Francaise in New York and in 1989 he choreographed AccorDION for the Vorbuhne-Zurich Theatre.
He contributed the choreography for Lina Wertmuller’s production of Carmen with the Munich State Opera in 1993.
Moses has also performed as a soloist in dance galas in Europe and at the Metropolitan Opera. His film work includes Moses Pendleton presents Moses Pendleton for ABC Arts in 1982, winner of a Cine Golden Eagle award; Julian Lennon’s Too Late for Goodbyes, directed by Sam Peckinpah in 984; and the 1991 film FXII.
Moses has directed numerous special programmes for Antenne II in France and RAI Television in Italy. He co-starred with Charles Dutoit in the Enmy Award-winning Rhombus Media film of Mussorgsky’s Pictures at an Exhibition with the Montreal Symphony Orchestra.
Also active in music videos, his work appears in Prince’s Batdance music video for the3 movie Batman, and rock videos for the bands White Lion and Shadowfax, and for pop singer Cathy Dennis.
Through Pilobolus, his work has been seen in PBS’ Dance in America and Great Performances series.
He has appeared on The Tonight Show and in the morning on Sesame Street.
Moses Pendleton’s other projects include a workshop production of Disney Theatrical’s The Hunchback of Notre Dame; a commission for the Arizona Ballet rooted in Native American folklore; In Movimento, a live production for Procter & Gamble with the Romanian National Gymnastic Team; and FIAT’s 100th birthday celebration in Torino, Italy.
Moses Pendleton is available for interview by phone.


© Scoop Media

 
 
 
Culture Headlines | Health Headlines | Education Headlines

 

Reuben Moss' Property is Theft! & Kaitani at The Physics Room

Property is Theft! continues Moss’ interest in the contemporary urban environment as a space controlled by pulsing and unequal flows of capital and labour. Kaitani features work by the University of Canterbury Fijian Students Association and Kulimoe’anga Stone Maka. More>>


Handcrafted Form: Rare Treasures From Japan

This unique exhibition at Expressions Whirinaki represents 90 everyday objects made by contemporary Japanese artisans who employ various traditional craft techniques made in regional workshops. The works used in daily life are crafted from raw materials with techniques appropriate to bringing out the best of its medium, balancing ease of use with aesthetic appeal. More>>

Howard Davis Article: A Musical Axis - Brahms, Wagner, Sibelius

Brahms' warm and exquisitely subtle Symphony No. 3 in F major, Wagner's irrepressibly sentimental symphonic poem Siegfried Idyll, and Sibelius' chilling and immensely challenging Violin Concerto in D minor exemplify distinct stages of development in a tangled and convoluted series of skirmishes that came to define subsequent disputes about the nature of post-Romantic orchestral writing well into the following century. More>>

Scoop Review Of Books: A Pale Ghost Writer

Reviewed by Ruth Brassington, Richard Flanagan's new novel is about a novelist hastily ghost-writing the biography of a crook about to go to trial. The reader is kept on a cliff-edge, as the narrator tries to get blood out of his stone man. More>>

New Zealand Wars Commemoration: Witi Ihimaera's Sleeps Standing Moetū

The second of several articles to mark Rā Maumahara, remembering the New Zealand Land Wars. The first was a Q&A with Vincent O’Malley, author of The Great War for New Zealand: Waikato 1800–2000. More>>

ALSO:

 
 
 
 
 

LATEST HEADLINES

  • CULTURE
  • HEALTH
  • EDUCATION
 
 
  • Wellington
  • Christchurch
  • Auckland