Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search

 


Fund backed finalists in SPADA

17 November 2004

Fund backed finalists in SPADA

New Filmmaker of the Year Award

The three finalists in the SPADA New Filmmaker of the Year Award 2004, to be announced in Auckland on Friday 19 November, have all made films with the support of the Screen Innovation Production Fund.

The finalists - Briar March, Patrick Gillies and Florian Habicht - will learn who has won the SPADA New Filmmaker of the Year Award 2004 at a ceremony to be held during Small Country, Big Picture, the New Zealand film and television industry conference taking place over the weekend.

The Screen Innovation Production Fund, a partnership between Creative New Zealand and the New Zealand Film Commission, supports the moving-image arts by funding innovative, experimental and often low-budget productions.

The SPADA New Filmmaker of the Year Award 2004 recognises emerging filmmakers who have displayed special talent, excellence and creativity in their filmmaking. Previous winners Jason Stutter, Gregory King and Tom Reilly have all received support from the Screen Innovation Production Fund.

Linda Halle, Screen Innovation Production Fund Adviser for Creative New Zealand, says that over the years the Fund has supported many filmmakers whose work has gone on to win awards and screen at international film festivals.

"The fact that all the finalists have received support from the Fund is a validation of its work and the grants it's making," she says. "It's the only fund available to New Zealand moving-image artists that actively encourages risk-taking and experimentation."

The winner of the SPADA New Filmmaker of the Year Award 2005 will receive more than $28,000 worth of prizes. In addition, the three finalists have been given free registration to attend the conference.

"Key players in the international film and television industry will be there," Ms Halle says. "Being able to attend the conference is a wonderful opportunity for the three young filmmakers to network and be noticed."

Patrick Gillies of Christchurch works in film and television. His most recent work, the digital feature Offensive Behaviour, premiered at the Rialto Cinema in September and has also had an offer of distribution from a New York-based distributor. Gillies has had international success with two of his short films, Admit One and Kitty. Both were selected to screen at the Montreal International Film Festival in 1999 and 2002. Kitty has also screened at numerous other international film festivals, including London, Sydney, Sao Paulo, Rio de Janeiro and New Zealand. Offensive Behaviour and Kitty were made with support from the Screen Innovation Production Fund.

Briar March of Auckland is a recent graduate of Elam Fine Art School. Her most recent work, the documentary film Allie Eagle and Me, premiered at the Telecom New Zealand International Film Festival 2004 and will screen at the Tahiti International Film Festival in January. In October, March received funding from the Screen Innovation Production Fund for her next project, a documentary called Night to Day: a pause between action and reaction. This film will follow four New Zealanders during a social night out in Auckland. March hopes the film will challenge the usual conventions of documentary-making, using split screens, still images, graphics and subtitles to tell her subjects' stories.
Florian Habicht of Auckland has made several short films and three feature-length digital films, which have screened throughout New Zealand and in film festivals internationally. His third film, the documentary Kaikohe Demolition, received a grant from the Screen Innovation Production Fund and was a highlight of this year's Telecom New Zealand International Film Festival. His film, Woodenhead, has just been released on DVD. As well as the New Zealand festival, it has screened at the Melbourne, Sitges, Commonwealth, Cardiff and Cannes film festivals, and AFM Markets. It will also screen at next year's Fantosporto Festival in Portugal and Festival d'Annonay in France.

Prime Minister Helen Clark recently congratulated the Screen Innovation Production Fund after a record number of 10 films supported through the Fund screened at the Telecom New Zealand International Film Festival 2004.

"This initiative clearly continues to prove its worth and I am pleased that the films produced under this Fund are being viewed by New Zealand audiences," Miss Clark said.

Responding to a steady increase in applications to the Screen Innovation Production Fund, particularly in the area of digital features, the New Zealand Film Commission has increased its annual contribution from $250,000 to $350,000.

Applications to the next funding round close on 25 February 2005. For more information about the Fund visit the funding section of Creative New Zealand's website.

ENDS


© Scoop Media

 
 
 
 
 
Culture Headlines | Health Headlines | Education Headlines

 
Werewolf: Katniss Joins The News Team

From the outset, the Hunger Games series has dwelt obsessively on the ways that media images infiltrate our public and personal lives... From that grim starting point, Mockingjay Part One takes the process a few stages further. There is very little of the film that does not involve the characters (a) being on screens (b) making propaganda footage to be screened and (c) reacting to what other characters have been doing on screens. More>>

ALSO:

Scoop Review Of Books: Ko Witi Te Kaituhituhi

Witi Ihimaera, the distinguished Māori author and the first Māori to publish a book of short stories and a novel, has adopted a new genre with his latest book. But despite its subtitle, this book is a great deal more than a memoir of childhood. More>>

Werewolf: Rescuing Paul Robeson

Would it be any harder these days, for the US government to destroy the career of a famous American entertainer and disappear them from history – purely because of their political beliefs? You would hope so. In 1940, Paul Robeson – a gifted black athlete, singer, film star, Shakespearean actor and orator – was one of the most beloved entertainers on the planet. More>>

ALSO:

"Not A Competition... A Quest": Chapman Tripp Theatre Award Winners

Big winners on the night were Equivocation (Promising Newcomer, Best Costume, Best Director and Production of the Year), Kiss the Fish (Best Music Composition, Outstanding New NZ Play and Best Supporting Actress), and Watch (Best Set, Best Sound Design and Outstanding Performance). More>>

ALSO:

Film Awards: The Dark Horse Scores Big

An inspirational film based on real life Gisborne speed-chess coach An inspirational film based on real life Gisborne speed-chess coach Genesis Potini, made all the right moves to take out top honours along with five other awards at the Rialto Channel New Zealand Film Awards - nicknamed The Moas. More>>

ALSO:

Theatre: Ralph McCubbin Howell Wins 2014 Bruce Mason Award

The Bruce Mason Playwriting Award was presented to Ralph McCubbin Howell at the Playmarket Accolades in Wellington on 23 November 2014. More>>

ALSO:

One Good Tern: Fairy Tern Crowned NZ Seabird Of The Year

The fairy tern and the Fiji petrel traded the lead in the poll several times. But a late surge saw it come out on top with 1882 votes. The Fiji petrel won 1801 votes, and 563 people voted for the little blue penguin. More>>

Music Awards: Lorde Reigns Supreme

Following a hugely successful year locally and internationally, Lorde has done it again taking out no less than six Tuis at the 49th annual Vodafone New Zealand Music Awards. More>>

ALSO:

Get More From Scoop

 
 

LATEST HEADLINES

 
 
 
 
Culture
Search Scoop  
 
 
Powered by Vodafone
NZ independent news