Second Announcement Sets BluesfestNZ Alight
THE COROMANDEL PENINSULA BLUES AND ROOTS MUSIC FESTIVAL 2008
A Sizzling Second Announcement Sets BluesfestNZ Alight!
Being a part of the Byron Bay Buesfest circuit for 2008 has afforded New Zealand the rare opportunity to place together on one show some of the planets greatest talent in the blues and roots genres with a wealth of music to further entertain live performance aficionados.
Once again, it’s shaping up to be a bill with something for everyone – a rich collection of local and global heavy hitters spanning everything from vintage blues and soul, through to, fusion, swing, R&B, swamp rock, folk, alt-country, indie rock and much, much more.
Message from The Festival Director
Festival director Peter Noble said, “I’m so excited about the incredible depth of talent we’ve got this year. Of course, in addition to the big names, people are going to be knocked out by some of the acts we’re bringing over. As you may know, we try and top the previous festival every year with Bluesfest at Byron Bay (which I’ve got to say is becoming increasingly difficult!) But this year I do think we’ve done it again. Yes we’ve got the big acts, but we’ve also got a whole swag of legends that reflect our original ethos and help take the spirit, culture and diversity of our event to new levels. To have the only surviving member of The Wailers – Bunny Wailer giving the Festival genuine Jamaican reggae will be an historical moment for us. Blend in the new and we have an unbeatable gumbo of the best talent in New Zealand and much of the rest of the world. We know we’re now regarded by many artists who play Bluesfest as one of a small handful of premier international events worldwide – and the way we see it – if we can create a healthy, happy, responsible artistic climate that sparks the imagination and allows performers to play at their highest levels – then we’ve done our job.”
And of course you know the best part – finally New Zealand gets to enjoy all the months of hard work Peter puts in to secure another amazing lineup.
So to Ian Brown from the legendary Stone Roses and the rest of the auspicious first announcement add Bunny Wailer, Newton Faulkner, Xavier Rudd and Sugarland to complete the international performers list.
Buddy Guy, KT Tunstall, Keb Mo, Wilco, Ian Brown, Midge Marsden, Hollie Smith, Pluto, Little Bushman and The Checks with the full lineup of NZ artists still to be announced.
BUDDY GUY –
Blues legend Buddy Guy has a colossal musical resume as well
as many hard-earned accolades. He’s a Rock and Roll Hall
of Fame inductee, a chief guitar influence to rock titans
such as Jimi Hendrix and Eric Clapton, a pioneer of
Chicago’s West Side sound, and a living link to that
city’s halcyon days of electric blues. Guy’s club
remains the most successful blues joint in Chicago, and he
is without a doubt the Windy City’s reigning blues artist.
Clapton unabashedly calls Guy his favourite blues axeman,
and so do a great many adoring fans worldwide. High-energy
guitar histrionics and boundless on-stage energy have always
been Guy’s trademarks, along with a tortured vocal style
that’s nearly as distinctive as his incendiary rapid-fire
fretwork. In 2007 Guy released Can’t Quit The Blues –
the first-ever career-spanning box set of this electrifying
guitar pioneer’s 50 years in
__BUNNY WAILER & The Solomonic Reggaestra - Neville Livingston, better known as Bunny Wailer, was born in 1947 and grew up in Kingston, Jamaica, with Bob Marley and Peter Tosh. The three youths learnt to play instruments and sing together, evolving into the legendary group we know and respect as the Wailers. Wailer was a singer whose strong tenor vocals were used primarily in harmony, but he also occasionally sang lead on tracks such as "Dancing Shoes" and "Sunday Morning". When the Wailers signed to Island Records in 1972, Chris Blackwell helped propel the band to a worldwide audience. Wailer left the group in 1974 to pursue his successful solo career, and also started his own record label, Solomonic, which he used to release all his solo works in Jamaica. Blackheart Man, released on Island Records, is still considered one of the most acclaimed reggae albums in history. In 1996, Wailer won his third Grammy award for his tribute to Bob Marley, Hall of Fame: A Tribute to Bob Marley’s 50th Anniversary. The only surviving member of The Wailers trio, Wailer will be bringing the true sounds of Jamaican reggae to BluesfestNZ.
– Three years ago, KT Tunstall stepped out the front door
of her flat in Harlesden, London. She was off to work, and
to play. She didn’t go home again until she’d recorded
her debut album Eye To The Telescope; wowed the music world
with her one-woman blues-stomp “Black Horse And The Cherry
Tree”; toured the world a few times; become a festival
favourite from Glastonbury to T in the Park; outsold every
other female artist in the UK in 2005; won a Brit Award for
Best British Female Solo Artist; landed a Grammy nomination
for Best Female Pop Vocal Performance; lent her hit tune
“Suddenly I See” to the soundtrack of the film The Devil
Wears Prada and the TV show Ugly Betty; watched her songs
become staple audition material for contestants on American
Idol; recorded and filmed her lo-fi album Acoustic
Extravaganza; and sell almost four million copies of Eye To
The Telescope. After all of that, Tunstall got to go home
and put her feet up. For five minutes. Soon it was time to
work on her recently released second album, a collection of
thumping pop songs and intimate, often mysterious ballads
KEB’MO’ – An East
Coast Blues & Roots festival favourite, Keb’ Mo’ (born
Kevin Moore) draws heavily on the old-fashioned country
blues style of Robert Johnson, but fuses it with
contemporary touches of soul and folk-styled acoustic
playing. Before making his own albums since 1994,
Mo’applied his acoustic, electric, and slide guitar skills
to jazz and rock-oriented bands. Since then, it’s been
the smooth acquisition of Grammys and a large and
enthusiastic global fan base. The 2004 album Keep It Simple
garnered Mo’ another Grammy for Best Contemporary Blues
Album. Of his latest album, Suitcase (2006), Mo’ says:
“The creative process involved in the making has been a
deeply rewarding experience… The music on this record
represents life happening in all of its shades and shapes.
I hope that spirit is conveyed to the listener.” It is
certain to be conveyed to the crowds as they gather to watch
Mo’ live in concert in Whitianga.
BROWN – It’s been over 10 years since legendary band the
Stone Roses broke up, and former lead singer Ian Brown has
bounced back with a solo career that has proved the doubters
wrong. In September 2007, Brown released what is regarded
as his best solo album to date. The World Is Yours is a
lush orchestral work-out that comes armed with politicised
lyrics and some very special guests such as ex-Sex Pistols
Paul Cook and Steve Jones, Paul Ryder, and ex-Smiths bassist
Andy Rourke. While every British band went off and copied
the Roses, he set off in the opposite direction and invented
his own multi-cultural polyglot mix of music that has a
cutting-edge cool to it. This is a multi-racial,
multi-styled modern music that over the years and five solo
albums has been honed to
WILCO – It’s been more than 12 years since guitarist and songwriter Jeff Tweedy formed the Chicago-based Wilco, but Tweedy has never felt better about it. “I think that everyone was a little more relaxed going into this record,” he says, referring to the band’s sixth proper studio album, 2007’s Sky Blue Sky. In the spring of 2004 – just before the release A ghost is born (a two-time Grammy winner) – experimental rock and jazz guitarist Nels Cline and guitarist and keyboardist Pat Sansone joined Wilco full time, adding to the existing quartet of Tweedy, longtime bassist John Stirratt, percussionist Glenn Kotche and keyboard player Mikael Jorgensen. The boys are coming down under following an extensive tour including the States, the UK, Ireland, Belgium and Spain.
XAVIER RUDD –
Xavier Rudd’s performances are captivating and his talent
unmistakable. His sincerity and frankness are clearly
reflected in his music, which explains the huge level of
support that his rhythmic and rootsy sounds have been met
with wherever he tours. Hailing from Torquay on the
southern Victorian coast in Australia, Xavier has a strong
affinity for the beauty of his surroundings. A
multi-instrumentalist – including a breathtaking
proficiency on didgeridoo – Xavier applies rhythms on the
stomp box with his bare feet as he glides his Weissenborn
guitar through fluid melodies on songs like “Let Me Be”.
A must-see live experience, Xavier was honoured at the 2006
ARIA Awards with a nomination for Best Blues And Roots Album
for his 2005 release Food In The Belly. His latest offering
White Moth harnesses the live spirit Rudd is famous for,
thus realising a goal of combining the
acoustic warmth offered by a studio with the adrenalin of the stage.
SUGARLAND - The debut album from Sugarland, the chart-topping singer-songwriting duo of Jennifer Nettles and Kristian Bush, Twice the Speed of Life, was certified double platinum soon after its release in 2004. They received the award for Breakthrough Favorite New Artist at the American Music Awards and radio and fans alike embraced the record’s hit singles “Baby Girl”, “Something More”, “Just Might (Make Me Believe)” and “Down in Mississippi (Up To No Good)”. In a major career coup, Sugarland landed a highly prized Best New Artist nomination at the 2006 Grammy Awards, a category that includes all genres of popular music. Their much-anticipated second album, Enjoy the Ride, released in 2006, also went double platinum, and in 2007 Sugarland took home the trophy for the prestigious CMA Vocal Duo of the Year. First there’s Nettles, the blond powerhouse who belted it out in Baptist church as a kid before spending a decade ruling the Atlanta club circuit. Then there’s the charismatic Bush, the former alternative folk-rocker who grew up listening to college radio favourites The Replacements and R.E.M. Together, the two singular performers of Sugarland create an artistic partnership that is as unique as it is compelling.
MIDGE MARSDEN – Midge Marsden is virtually without equal. His career spans four decades, he has played thousands of concerts to countless people and he has performed with a list of artists that reads like a definitive Who’s Who of New Zealand Rock. In 1990 he was voted New Zealand Entertainer of the Year and later his critically acclaimed album ‘Burning Rain’ went gold.
Midge has toured the USA four times now, focussing mainly on California, Texas, Mississippi and Louisiana. Each time he has met up with some exciting musicians including ‘Mississippi’ Willie Foster, Bobby Mack, Ronnie Taylor, ‘Aussie’ Dave Boyle and JulieAnne Banks, all of whom have toured New Zealand with Midge.
It was during one of these tours that Midge was a student at the University of Mississippi in 1996 where he graduated with a Diploma in Southern Studies. Recently named an O.B.C, (Old Blues Cat) Midge fills in the gaps of his busy touring schedule as a tutor at the Waikato Polytechnic where his specialist subject is ... Bluesology, what else??
Midge is a household name and icon in New Zealand. In 2006 this was recognised with a New Zealand Order Of Merit for his services to music. Midge Marsden remains the number one Rhythm and Blues artist in NZ today. A combination of red-hot musician and unbridled energy combine to guarantee a rage every show.
HOLLIE SMITH - Some songwriters write in lists of random thoughts. Hollie Smith has recorded songs of intense sentiment and passionate belief as subtle reminders. Smith says she doesn’t deal in the traditional material of your average chart topper. “I don’t really write love songs - mainly because I need to feel passion for what I’m singing,” she explains. “And if I’m singing a love song for a person who’s not around any more, the passion isn’t really there. So really,” she concludes, “I like to write reminders to myself, reminders of where I really draw my inspiration from.” And that is from within herown personal philosophy. “It’s not something I’d really preach about, it’s more subtle than that,” Smith says. “It’s more a reminder to myself about the way I’d like to live my life. Because we do it all the time - we look around at a lot of things that go on in the world and we all know they’re happening and occasionally we do something. But most of the time we feel helpless or we don’t think about it too much. So a lot of these songs are reminders that I took a vow to try and make a difference and to live more consciously”.
A defining moment of recognition arrived on the eve of the release of her much anticipated debut solo album “Long Player”on EMI, when soulful Hollie Smith signed to the prestigious Manhattan Records, New York, a boutique pop label within the legendary Blue Note group, home to Miles Davis, Herbie Hancock, Thelonious Monk, Cassandra Wilson and Norah Jones. “You can hear that voice and you can hear the songs and you know right away- this is somebody very special.”– Bruce Lundvall. President, Blue Note Records.
PLUTO - Inspired by everything from the morning, to dusk, to love, to strangers they have met on their travels - Pluto combine elements of modern Sci-fi-delic, rock’n’roll power, pop sensibilities and gliding vocal melodies, to create music that evokes feelings from all parts of the atmosphere. The Auckland five-piece have carved their name across the New Zealand music landscape with a highly reputed live show, two critically acclaimed albums and an aura of mystique & intrigue. Since releasing their debut album Red Light Syndrome in 2001 and the double platinum-selling Pipeline Under The Ocean (2005), they have become a band known for consistently writing thoughtful, intelligent and memorable songs, including the sonic anthem Long White Cross (NZ Music Awards - Single Of The Year 2006).
In October 2007, they return with their eagerly anticipated third offering Sunken Water - the musical evolution and diversity of Pluto, shows them now as a band who can transcend between introspective acoustic pop, to writhing rock’n’roll power with grunge elements, to progressive pop psychedelia and atmospheric mood music. Firmly established as one of the country’s favourite live bands, Pluto will not disappoint.
LITTLE BUSHMAN - In 2004, Warren Maxwell, then front man for Trinity Roots, asked drummer Rick Cranson and bassist Tom Callwood for a jam, which eventually became a recording session at Wellington studio The Surgery. The focus was on getting a 60s psychedelic feel to the music. Another recording followed, and during these sessions, the band realised they needed a guitarist. Warren suggested Joe, and Little Bushman was born.
Both these sessions were to be demos for Little Bushman’s incredible debut album The Onus of Sand, recorded in 2006. A nationwide tour supporting Dave Dobbyn came first though, where the band refined their sound in a live setting. This organic pre-production process also became the formula for their second album, Pendulum. Lee Prebble (Black Seeds, Fly My Pretties, Phoenix Foundation, The Inkling) captured the music at Joe’s studio, and then mixed it with Little Bushman. Prebble’s skills, along with his arsenal of analogue effects and tape machines, were vital in getting the “dirty” 60s sound.
The four performers in Little Bushman are alumni of the Wellington Jazz School, where they studied during the 1990s before joining and forming various bands. For Warren Maxwell (vocals/keys) those bands were Fat Freddy’s Drop, where he played saxophone, and Trinity Roots, where his soulful vocals and guitar won the hearts and minds of listeners throughout Aotearoa. Drummer Rick Cranson, bassist Tom Callwood and guitarist Joe Callwood have all played in many other forms; rock bands, jazz experimental groups, at Wellington’s Jazz Festivals – too many to mention. Little Bushman are a well respected democracy that collectively agrees on themes and topics to write about and the underlying theme of Pendulum is the global imbalance between economy and nature. Little Bushman firmly believes that music has the power to awaken and unite people. A fitting addition to the Inaugural Bluesfest NZ.
THE CHECKS - The road from the squeaky-clean world of the Barbershop quartet to the gravel-throated, primal howl of the blues is perhaps one less travelled, but it’s what’s led scarily-young Auckland, NZ five-piece The Checks to the precipice of success in 2007. Since forming at the grand age of fifteen (they all hover between nineteen and twenty now), the band have had a meteoric rise in their native New Zealand, their bluesy, age-defying garage rock racket winning them fans as illustrious as REM’s Michael Stipe and bagging them a 2005 New Zealand Music Award after just one 7” single.
A move to London and the band set about writing and recording their debut album. Produced by Ian Broudie (The Coral, The Zutons, Echo & The Bunnymen), ‘Hunting Whales’ is one of the great debut records of the year, a spit n’ sawdust rock n’ roll record that’s bursting at the seams with songs to send you bare-chested and wild. The swampy, beer-sodden stomp of ‘What You Heard’ follows a raucous, downright-filthy slice of Delta-rock chaos that the band likens to “A clean five in the guts”. This is perfect Bluesfest NZ material. The Checks are one of the hottest live bands around and right now, you’d do well to catch The Checks’ swirling, swamp-blues howl from the belly of the beast before the rest of the world latches on.
The inaugural BluesfestNZ will take place on Saturday 22nd, March, 2008.
Tickets on sale 9.00am Monday 14th January.
Tickets from 0800 Ticketek (0800 84253835) www.ticketek.co.nz
www.bluesfest.co.nz or usual outlets.
For full show information www.bluesfest.co.nz
PLEASE NOTE: BluesfestNZ is an R18 event. We are family friendly and we encourage family groupings, but under 18’s need to be accompanied by a parent or legal guardian.