Ellerslie Theatrical Society presents: Present Laughter
Ellerslie Theatrical Society presents
by Noel Coward
directed by David Blakey
14 to 23 March 2013
A renowned actor who performs continuously - whether on or off the stage - runs into problems with an aspiring actress, an obsessive writer and the attentions of the partner of one of his friends. These come on top of his dawning discovery that he is still in love with his own partner, from whom he is separated. And, to crown it all, he's about to go on tour in New Zealand. Noel Coward's play is brought spectacularly into the twenty-first century with a state-of-the-art story of marriage and morality.
“there is sharp-writing, skill, intriguing characters and complicated situations written with style.” ~ The Passionate Playgoers
Present Laughter is probably the greatest of
Noel Coward’s plays. When it opened in 1942, reviews
included the Manchester Guardian: ‘One is tempted to cast
discretion to the winds and predict that this will be
remembered as the best comedy of its kind and
generation...one of those rare occasions when the critic
must claim the privilege of his fellow-playgoers, simply to
marvel, admire, and enjoy wholeheartedly.’ Sadly some
characters and business in Present Laughter are meaningless
or even negative to modern audiences. I wanted to transform
the play into one that would make audiences in 2013 laugh as
much as audiences had laughed in 1942. I believe that my
interpretation keeps the spirit of the play and revives it
for modern audiences.
As an actor, I have appeared in other Noel Coward plays, and I have never been really happy that each of those plays were staged as if the action was taking place in the year in which the play was first staged. Placing Blithe Spirit in 1941 or South Sea Bubble in 1951 makes them period pieces; I think that this is unfair, because Coward’s characters and situations can appeal to modern audiences. Many of the plays – and this is especially true of Present Laughter – can be brought up to date without taking away anything that would appeal to a modern audience.
In many of Coward’s plays, the principal characters – and especially the male leads – are not very nice people – or, rather, they would not be thought of as very nice today. It was one of my aims to make Garry Essendine a likeable man; he does have a tendency to overact and to lecture other people, but I wanted to make him behave like that without his having any nasty intent. On the whole, the Garry in my Present Laughter is a likeable man. At the end of play, I hope that audiences will be happy for him.
PHOTOGRAPHS (larger images
available for publication – black & white and colour
Morris phones Jo – (left to right) – Peter Boyes, Barrie Graham, Pip Simonian
Jo doesn’t answer – Peter Boyes, Barrie Graham, Pip Simonian
Thursday 14 to Saturday 16 March 2013 at 8pm
Sunday 17 March at 2pm
Tuesday 19 to Friday 22 March 8pm
Saturday 23 March at 2pm and 8pm
iTICKET – www.iticket.co.nz or phone 09 361 1000 (booking fee/delivery fee will apply)
Evening $22, $20 (discounted)
Matinee $16, $13 (discounted)
Stables Theatre (Ellerslie War Memorial Community Centre, Cnr Main Highway & Arthur St, Ellerslie, Auckland
Click for big version.