Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search

 


Between The Lines


Tess Munro Pedreros, photographer - James van der Mass

Who says you can’t air your dirty laundry in public?

A group of local performers are putting themselves on the line this summer in a show for the 2014 Fringe Festival. Between the Lines features a giant Hill’s Hoist, the iconic washing line found in the backyard of many NZ homes. A mixture of circus artists, dancers and actors are using their various skills on the washing line to hang, spin, dance, stand and balance on, turning a childhood past time into a visually stunning, theatrical performance.

“Almost everyone I know who grew up in New Zealand remembers swinging on a washing line as a kid, whether it was in Nana’s garden, the neighbours backyard, or at their own home” says the show’s creator Tess Munro Pedreros. “Plenty of people have told me how they remember playing on a Hill’s Hoist and also the trouble they were in when they broke them. I used to pretend our neighbours’s was a kind of time machine so when you swung off you’d be in another dimension."

Tess recently returned from Kathmandu where she volunteered for three months as a circus trainer for Nepal’s first contemporary circus company, Circus Kathmandu. “My role there was to codevise, direct, choreograph and produce the company’s first international show. Being a part of that process gave me the confidence I needed to start developing my own show here in New Zealand. I’ve been writing funding applications ever since I came back and it’s been a huge learning curve.” The show has a fundraising effort on givealittle, with funds going towards building the washing line, paying performers and other production costs.

Between the Lines appeals to the child in everyone on a nostalgic level and to the adult in everyone on a thematic level. The show explores the idiosyncrasies revolving around clothing and laundry such as the unique ways that people hang out their clothes. In one scene a female character wrestles with her apron's never ending strings and in another people wring out wet washing, making rhythmic, percussive splashes accross the performance space. The stages of a laundry cycle: dirty, wash, rinse, spin, clean and dry, are also used as a metaphor for the phases people go through during times of emotional upheaveal and ultimately renewal.

The show blends circus with theatre and dance, creating a dynamic, cohesive work.

Currently, circus within New Zealand is viewed very traditionally, conjuring images of big tops and clowns, ringmasters and popcorn, acrobats and sequins.

The theatrical use of circus skills is an exciting avenue that is beginning to be explored here. “Traditional circus is entertaining, whilst theatre is engaging. We want to bring circus into a relatable realm where audiences recognise moments of everyday life. When the idea of a giant washing line popped into my head, I felt I had found something exciting that everyone can identify with."

The Koha show will take place in Glover Park, outside Rogue & Vagabond at 6pm on the 8th, 9th, 15th and 16th of February. For more information check the facebook page https://www.facebook.com/betweenthelinesnz and to make a donation see http://www.givealittle.co.nz/cause/betweenthelines

© Scoop Media

 
 
 
 
 
Culture Headlines | Health Headlines | Education Headlines

 
Scoop Review Of Books: Q&A: Prue Hyman On ‘Hopes Dashed?’

For Scoop Review of Books, Alison McCulloch interviewed Prue Hyman about her new book, part of the BWB Texts series, Hopes Dashed? The Economics of Gender Inequality More>>

Gordon Campbell: On Chuck Berry (And James Comey, And Bill English)

Back when many people were still treating rock’n’roll as a passing fad – was calypso going to be the new thing? – Chuck Berry knew that it had changed popular music forever. What is even more astonishing is that this 30-ish black r&b musician from a middle class family in St Louis could manage to recreate the world of white teenagers, at a time when the very notion of a “teenager” had just been invented. More>>

Howard Davis Review:
The Baroque Fusion Of L'arpeggiata

Named after a toccata by German composer Girolamo Kapsberger, L'Arpeggiata produces its unmistakable sonority mainly from the resonance of plucked strings, creating a tightly-woven acoustic texture that is both idiosyncratic and immediately identifiable. Director Christina Pluhar engenders this distinctive tonality associated with the ensemble she founded in 2000 by inviting musicians and vocalists from around the world to collaborate on specific projects illuminated by her musicological research. More>>

African Masks And Sculpture: Attic Discovery On Display At Expressions Whirinaki

Ranging from masks studded with nails and shards of glass to statues laden with magical metal, the works are from ethnic groups in nine countries ranging from Ivory Coast to the Democratic Republic of the Congo. More>>

Obituary: Andrew Little Remembers Murray Ball

“Murray mined a rich vein of New Zealand popular culture and exported it to the world. Wal and Dog and all the other Kiwi characters he crafted through Footrot Flats were hugely popular here and in Australia, Europe and North America." More>>

ALSO:

Organised Choas: NZ Fringe Festival 2017 Awards

Three more weeks of organised chaos have come to an end with the Wellington NZ Fringe Arts Festival Awards Ceremony as a chance to celebrate all our Fringe artists for their talent, ingenuity, and chutzpah! More>>

ALSO:

Wellington.Scoop: Wellington Writer Wins $US165,000 Literature Prize

Victoria University of Wellington staff member and alumna Ashleigh Young has won a prestigious Windham-Campbell Literature Prize worth USD$165,000 for her book of essays Can You Tolerate This? More>>

ALSO:

Scoop Review Of Books: We’re All Lab Rats

A couple of years ago, there were reports that Silicon Valley executives were sending their children to tech-free schools. It was a story that dripped of irony: geeks in the heart of techno-utopia rejecting their ideology when it came to their own kids. But the story didn’t catch on, and an awkward question lingered. Why were the engineers of the future desperate to part their gadgets from their children? More>>

  • CensusAtSchool - Most kids have no screen-time limits
  • Netsafe - Half of NZ high school students unsupervised online
  • Get More From Scoop

     
     

    LATEST HEADLINES

     
     
     
     
    Culture
    Search Scoop  
     
     
    Powered by Vodafone
    NZ independent news