Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search

 


Exhibition assembles full range of artist's practice

First exhibition to assemble full range of intriguing artist’s practice


Kim Pieters, still from Magnet 2009,


Atmospheric abstract paintings, drawings, photographs and moving-image soundscapes by Dunedin-based artist Kim Pieters feature in the latest exhibition at the Adam Art Gallery, opening 27 May.

The exhibition surveys seven years of the artist’s output, from 2007 to the present, offering a concentrated insight into the range of works she has been making in and from her inner harbour studio in central Dunedin.

‘what is a life?’ is the challenging question posed by this artist, who, since the late 1980s, has dedicated herself to her practice, but who has yet to be recognised with a solo exhibition in a public gallery.

Her title—presented in lower case—sets the tone of the show, inviting visitors to ponder the fundamental questions of existence.

Since 1993, Kim Pieters has lived and worked in Dunedin, where she is an integral figure in the art and experimental music scenes. For more than two decades, her paintings and drawings have been included in exhibitions throughout New Zealand. Through the 1990s she was known for her bass playing and vocals in underground ensembles such as Dadamah, Rain, Flies inside the Sun, Pieters/Russell/Stapleton, DoraMaar and Sleep. In performance, these often featured Pieters’ moving-image projections. With musician, writer and curator Peter Stapleton, she founded the Metonymic music label and, in 2000, began the Dunedin experimental music festival ‘Lines of Flight’.

“The Adam Art Gallery is the perfect place to encounter the work of Kim Pieters,” says Adam Art Gallery Director, Christina Barton.

“The architecture of the building will allow visitors to spend time with Pieters’ works both singly and in juxtaposition and, for the first time, they will have the opportunity to see all the different dimensions of her practice together as one immersive experience.”

‘what is a life?’ will be launched with a unique performance by Eye, a trio of experimental musicians—Peter Stapleton, Peter Porteous and Jon Chapman—all with long histories of involvement in New Zealand underground music. They perform improvised psychedelic drones created with drums, guitar, analogue and digital electronics, shortwave radio, field recordings and Tibetan bells, which will be accompanied by Pieters’ projected film.

Pieters’ exhibition is accompanied by RELOAD: Kirk Gallery Series 2014, three one-work moving image installations by Shannon Te Ao, Hito Steyerl, and Eddie Clemens.

What: what is a life? an exhibition by Kim Pieters
Where: Adam Art Gallery, Victoria University of Wellington, Gate 3, Kelburn Parade
When: 27 May–21 September
Tuesday–Sunday, 11am–5pm (closed on Monday)
Free entry

First exhibition to assemble full range of intriguing artist’s practice

Kim Pieters, still from Magnet 2009, digital video, 00:56:15mins, audio by SEHT from ‘the green morning’ CD (Digitalis, 2006) © Kim Pieters

Atmospheric abstract paintings, drawings, photographs and moving-image soundscapes by Dunedin-based artist Kim Pieters feature in the latest exhibition at the Adam Art Gallery, opening 27 May.

The exhibition surveys seven years of the artist’s output, from 2007 to the present, offering a concentrated insight into the range of works she has been making in and from her inner harbour studio in central Dunedin.

‘what is a life?’ is the challenging question posed by this artist, who, since the late 1980s, has dedicated herself to her practice, but who has yet to be recognised with a solo exhibition in a public gallery.

Her title—presented in lower case—sets the tone of the show, inviting visitors to ponder the fundamental questions of existence.

Since 1993, Kim Pieters has lived and worked in Dunedin, where she is an integral figure in the art and experimental music scenes. For more than two decades, her paintings and drawings have been included in exhibitions throughout New Zealand. Through the 1990s she was known for her bass playing and vocals in underground ensembles such as Dadamah, Rain, Flies inside the Sun, Pieters/Russell/Stapleton, DoraMaar and Sleep. In performance, these often featured Pieters’ moving-image projections. With musician, writer and curator Peter Stapleton, she founded the Metonymic music label and, in 2000, began the Dunedin experimental music festival ‘Lines of Flight’.

“The Adam Art Gallery is the perfect place to encounter the work of Kim Pieters,” says Adam Art Gallery Director, Christina Barton.

“The architecture of the building will allow visitors to spend time with Pieters’ works both singly and in juxtaposition and, for the first time, they will have the opportunity to see all the different dimensions of her practice together as one immersive experience.”

‘what is a life?’ will be launched with a unique performance by Eye, a trio of experimental musicians—Peter Stapleton, Peter Porteous and Jon Chapman—all with long histories of involvement in New Zealand underground music. They perform improvised psychedelic drones created with drums, guitar, analogue and digital electronics, shortwave radio, field recordings and Tibetan bells, which will be accompanied by Pieters’ projected film.

Pieters’ exhibition is accompanied by RELOAD: Kirk Gallery Series 2014, three one-work moving image installations by Shannon Te Ao, Hito Steyerl, and Eddie Clemens.

What: what is a life? an exhibition by Kim Pieters
Where: Adam Art Gallery, Victoria University of Wellington, Gate 3, Kelburn Parade
When: 27 May–21 September
Tuesday–Sunday, 11am–5pm (closed on Monday)
Free entry

ends

© Scoop Media

 
 
 
 
 
Culture Headlines | Health Headlines | Education Headlines

 
Scoop Review Of Books: Q&A: Prue Hyman On ‘Hopes Dashed?’

For Scoop Review of Books, Alison McCulloch interviewed Prue Hyman about her new book, part of the BWB Texts series, Hopes Dashed? The Economics of Gender Inequality More>>

Gordon Campbell: On Chuck Berry (And James Comey, And Bill English)

Back when many people were still treating rock’n’roll as a passing fad – was calypso going to be the new thing? – Chuck Berry knew that it had changed popular music forever. What is even more astonishing is that this 30-ish black r&b musician from a middle class family in St Louis could manage to recreate the world of white teenagers, at a time when the very notion of a “teenager” had just been invented. More>>

Howard Davis Review:
The Baroque Fusion Of L'arpeggiata

Named after a toccata by German composer Girolamo Kapsberger, L'Arpeggiata produces its unmistakable sonority mainly from the resonance of plucked strings, creating a tightly-woven acoustic texture that is both idiosyncratic and immediately identifiable. Director Christina Pluhar engenders this distinctive tonality associated with the ensemble she founded in 2000 by inviting musicians and vocalists from around the world to collaborate on specific projects illuminated by her musicological research. More>>

African Masks And Sculpture: Attic Discovery On Display At Expressions Whirinaki

Ranging from masks studded with nails and shards of glass to statues laden with magical metal, the works are from ethnic groups in nine countries ranging from Ivory Coast to the Democratic Republic of the Congo. More>>

Obituary: Andrew Little Remembers Murray Ball

“Murray mined a rich vein of New Zealand popular culture and exported it to the world. Wal and Dog and all the other Kiwi characters he crafted through Footrot Flats were hugely popular here and in Australia, Europe and North America." More>>

ALSO:

Organised Choas: NZ Fringe Festival 2017 Awards

Three more weeks of organised chaos have come to an end with the Wellington NZ Fringe Arts Festival Awards Ceremony as a chance to celebrate all our Fringe artists for their talent, ingenuity, and chutzpah! More>>

ALSO:

Wellington.Scoop: Wellington Writer Wins $US165,000 Literature Prize

Victoria University of Wellington staff member and alumna Ashleigh Young has won a prestigious Windham-Campbell Literature Prize worth USD$165,000 for her book of essays Can You Tolerate This? More>>

ALSO:

Scoop Review Of Books: We’re All Lab Rats

A couple of years ago, there were reports that Silicon Valley executives were sending their children to tech-free schools. It was a story that dripped of irony: geeks in the heart of techno-utopia rejecting their ideology when it came to their own kids. But the story didn’t catch on, and an awkward question lingered. Why were the engineers of the future desperate to part their gadgets from their children? More>>

  • CensusAtSchool - Most kids have no screen-time limits
  • Netsafe - Half of NZ high school students unsupervised online
  • Get More From Scoop

     
     

    LATEST HEADLINES

     
     
     
     
    Culture
    Search Scoop  
     
     
    Powered by Vodafone
    NZ independent news