Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search

 


Massey editor for new-look Poetry NZ


Thursday, May 29, 2014
Massey editor for new-look Poetry NZ

Watching an Al Jazeera television item about a young Arab poet spraypainting words of protest on a wall somewhere on the West Bank struck a chord with Massey University English senior lecturer Dr Jack Ross.

In his new role as managing editor of the country’s longest-running poetry journal, Poetry New Zealand, he hopes to infuse something of the spirit and energy of that far-flung poet in future issues of his new literary baby.

In the spirit of his predecessors at the helm of the periodical, he intends to keep it youth-oriented, politically engaged, experimental, and culturally diverse – all necessary attributes for an international journal of poetry and poetics.

Ross – a poet, editor and critic who teaches fiction, poetry, and travel writing in the School of English and Media Studies at the Albany campus – replaces distinguished poet, anthologist, fiction-writer, critic and retiring editor Alistair Paterson, who held the role for 21 years.

From this year, Poetry New Zealand will be edited and published by Massey’s College of Humanities and Social Sciences. An agreement was signed by its head of the School of English and Media Studies, Associate Professor Joe Grixti, Poetry New Zealand’s former managing editor Paterson, and production manager John Denny, for the future housing of the magazine by the university.

The journal originated in 1951 when poet Louis Johnson began publishing his annual New Zealand Poetry Yearbook. Johnson's series stopped in 1964, but a bi-annual version re-christened as Poetry New Zealand was revived by Frank McKay in the 1970s and early 80s with a total of six issues, each with a different guest editor. It began appearing twice yearly under Oz Kraus at the end of the 1980s, initially with a series of guest editors and then with Paterson at the helm.

Currently working on his first issue, the 49th in the series, which is due out in October this year, Ross says the journal will continue to feature work primarily by established local and some overseas poets, as well as commentary and reviews. Pivotal to attracting and fostering a new generation of poets is his wish to showcase emerging – and inevitably challenging – poetic trends, voices and styles.

“There will still be a featured poet in each issue – but we’ll have to wait and see who’s been chosen to inaugurate the new yearbook version. It may be surprising to some!” he says. “Poetry New Zealand is for readers and poets who crave stimulation and real challenges from encountering experimental work that’s not always immediately accessible,” he adds.

He’s keen on the idea of including some foreign language poetry in translation by overseas-based or migrant writers living here.

Cosmetic and technological changes are afoot too. The feature poet’s portrait as the cover will be replaced with fresh new artwork. Contributers can also submit their work electronically for the first time. And instead of two issues per year there’ll be an annual edition with roughly twice the number of pages.

The changes will not only open up new directions for readers and writers, but an opportunity for graduate students studying creative writing and communication at Massey’s three campuses in Auckland, Wellington and Palmerston North to become involved in editing, design and layout through internships.

“It [Poetry New Zealand] will help complement the link between teaching and doing your own work. It’s good for students to see that while you are at university, even in arts and literature you can be learning in a pragmatic way. These are real world skills.”

Ross, who was featured in Poetry New Zealand’s Issue 22 in 2001 and guest-edited Issue 38 in 2009, has a wealth of experience in writing, editing and teaching poetry. He shares his poetic interests via a highly stimulating literary blog, The Imaginary Museum.

No stranger to experimenting with genre, as in City of Strange Brunettes (1998), Chantal's Book (2002), and To Terezin (2007), as well as in foreign languages with Celanie, (which he translated from German – via French – into English), he also co-edited the trilogy of audio and text anthologies Classic, Contemporary and New NZ Poets in Performance (AUP, 2006-8).

While he acknowledges editing Poetry New Zealand is a time-consuming labour of love fitted around a busy teaching and PhD supervision schedule, he will be supported by an advisory board including Massey academics, poets and editors Dr Thom Conroy, Dr Ingrid Horrocks and Associate Professor Bryan Walpert; along with poet and academic Dr Jen Crawford; publisher and printer John Denny; poet and 2013 Burns Fellow David Howard; poet and editor Alistair Paterson ONZM; and poet and academic Dr Tracey Slaughter.

Ross says his ultimate aim is to make Poetry New Zealand as relevant and rivetting to a new generation of readers and writers as the most powerful films, novels and digital content. Like the graffitied words of that young Arab poet.


© Scoop Media

 
 
 
 
 
Culture Headlines | Health Headlines | Education Headlines

 
Werewolf: Katniss Joins The News Team

From the outset, the Hunger Games series has dwelt obsessively on the ways that media images infiltrate our public and personal lives... From that grim starting point, Mockingjay Part One takes the process a few stages further. There is very little of the film that does not involve the characters (a) being on screens (b) making propaganda footage to be screened and (c) reacting to what other characters have been doing on screens. More>>

ALSO:

Scoop Review Of Books: Ko Witi Te Kaituhituhi

Witi Ihimaera, the distinguished Māori author and the first Māori to publish a book of short stories and a novel, has adopted a new genre with his latest book. But despite its subtitle, this book is a great deal more than a memoir of childhood. More>>

Werewolf: Rescuing Paul Robeson

Would it be any harder these days, for the US government to destroy the career of a famous American entertainer and disappear them from history – purely because of their political beliefs? You would hope so. In 1940, Paul Robeson – a gifted black athlete, singer, film star, Shakespearean actor and orator – was one of the most beloved entertainers on the planet. More>>

ALSO:

"Not A Competition... A Quest": Chapman Tripp Theatre Award Winners

Big winners on the night were Equivocation (Promising Newcomer, Best Costume, Best Director and Production of the Year), Kiss the Fish (Best Music Composition, Outstanding New NZ Play and Best Supporting Actress), and Watch (Best Set, Best Sound Design and Outstanding Performance). More>>

ALSO:

Film Awards: The Dark Horse Scores Big

An inspirational film based on real life Gisborne speed-chess coach An inspirational film based on real life Gisborne speed-chess coach Genesis Potini, made all the right moves to take out top honours along with five other awards at the Rialto Channel New Zealand Film Awards - nicknamed The Moas. More>>

ALSO:

Theatre: Ralph McCubbin Howell Wins 2014 Bruce Mason Award

The Bruce Mason Playwriting Award was presented to Ralph McCubbin Howell at the Playmarket Accolades in Wellington on 23 November 2014. More>>

ALSO:

One Good Tern: Fairy Tern Crowned NZ Seabird Of The Year

The fairy tern and the Fiji petrel traded the lead in the poll several times. But a late surge saw it come out on top with 1882 votes. The Fiji petrel won 1801 votes, and 563 people voted for the little blue penguin. More>>

Music Awards: Lorde Reigns Supreme

Following a hugely successful year locally and internationally, Lorde has done it again taking out no less than six Tuis at the 49th annual Vodafone New Zealand Music Awards. More>>

ALSO:

Get More From Scoop

 
 

LATEST HEADLINES

 
 
 
 
Culture
Search Scoop  
 
 
Powered by Vodafone
NZ independent news