Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search

 


Top cast arrives for one of greatest ever operas

For release Thursday 28 August 2014

Top performers arrive for Mozart’s greatest opera

Some of opera’s most warmly regarded and awarded singers are arriving this week from around New Zealand and the world, as rehearsals pick up pace for the Auckland and Wellington seasons of Don Giovanni. Director Sara Brodie’s up-to-the-minute production sets the wit and wonder of Mozart’s finest opera score and his masterful mix of the tragic and comic against intense colours and street scenes of modern-day Spain.

When this new NZO production of Don Giovanni debuted last year in Christchurch, ending an opera drought in the city, English baritone Mark Stone sang the title role, which he now reprises for the Auckland and Wellington premieres. Theatreview wrote: “Mark Stone radiates both physical and vocal assurance”. Radio New Zealand’s Upbeat reviewer, Francis Yapp, found himself admiring and loathing the character thanks to the believable performance by Mark Stone - “very much an actor as well as a singer with a wonderful baritone voice.”

Fresh from success in last week’s Australian Helpmann Awards, where he took Best Male Performer in a Supporting Role, much-loved virtuoso singing actor Warwick Fyfe joins the NZ Opera cast as Leporello, the much-pressed comic accomplice of lothario Don Giovanni. His Helpmann winning performance was in Opera Australia’s Melbourne Ring Cycle, which also took Best Opera. Fyfe previously appeared with NZ Opera in Rigoletto, The Italian Girl in Algiers, and Pagliacci.

Fellow cast member, New Zealander Jud Arthur, describes the baritone as “laconic with a dry sense of humour”, and Warwick admits to the inadvertent surfacing of Benny Hill in some of his memorable characterisations. “My predilection for scary films means there are plenty of nasties swimming about in my subconscious which surface of their own accord when required,” he told the ClassicMelbourne website.

From Wellington, Australian-born soprano Lisa Harper-Brown joins the cast as the aggrieved woman whose father is murdered, sparking the destiny of doom for Don Giovanni. “Lisa Harper-Brown gives a moving and lyrical account of Donna Anna” wrote Theatreview.

Jud Arthur, a former Otago rugby rep and now professional opera bass, comes home to play Donna Anna’s father, the sonorous Commendatore, for whom death is no barrier to avengement. Other well-known and established or rising home-grown principals are Anna Leese, Amelia Berry and current Freemasons Resident Artist, Robert Tucker.

Members of the Chapman Tripp Opera Chorus in each city populate the square in front of the Hotel Ottavio, join hen or stag parties and cut shapes in the nightclub where the irresistible Don does his worst. If your heart rate speeds with the crowds, the colour and the choruses, you’ll even find paramedics on stage – characters only!

“Here for a good time, not for a long time” is an appropriate slogan for Don Giovanni – the man you’ll love to hate in this most entertaining of operas.

“I never knew Mozart could be that funny,” was one audience reaction heard at the Christchurch opening.

“It’s a film approach in a way and it would go down anywhere in the world,” commented reviewer Francis Yapp. “The future of Opera in New Zealand is very healthy, judging from this production.”

DON GIOVANNI by Wolfgang Amadeus Mozart

A New Zealand Opera production

Sung in Italian with English surtitles

CREATIVE TEAM

Conductor: WYN DAVIES

Director: SARA BRODIE

Design Adaptation: JOHN VERRYT

Costume Designer: ELIZABETH WHITING

Lighting Designer: JEREMY FERN

CAST:

Don Giovanni: MARK STONE

Leporello: WARWICK FYFE

Donna Elvira: ANNA LEESE

Donna Anna: LISA HARPER-BROWN

Don Ottavio: JAEWOO KIM

Commendatore: JUD ARTHUR

Zerlina: AMELIA BERRY

Masetto: ROBERT TUCKER

Accompanied by the Auckland Philharmonia Orchestra and Orchestra Wellington

Featuring the Chapman Tripp Opera Chorus

Auckland – ASB Theatre, Aotea Centre

18, 20, 24, 26 September 7.30pm; 28 September 2.30pm

Wellington – St James Theatre

11, 16, 18 October 7.30pm; 14 October 6pm

** ** ** ** ** ** ** ** ** ** ** ** ** ** **

BOOKINGS:

NZ Opera Box Office: Tel 0800 NZOPERA (0800 696 737) or bookings@nzopera.co.nz

Auckland: Ticketmaster, Tel 0800 TICKETMASTER (0800 111 999) or www.ticketmaster.co.nz

Wellington: Ticketek, Tel 0800 TICKETEK (0800 842 538) or www.ticketek.co.nz

Christchurch: Ticketek, Tel 0800 TICKETEK (0800 842 538) or www.ticketek.co.nz

*Booking fees apply

New Zealand Opera receives core funding from Creative New Zealand and Auckland Council through the Auckland Regional Amenities Funding Act

ENDS

© Scoop Media

 
 
 
 
 
Culture Headlines | Health Headlines | Education Headlines

 
Max Rashbrooke: Review - The NZSO And Nature

This was a lovely, varied concert with an obvious theme based on the natural world. It kicked off with Mendelssohn's sparkling Hebrides Overture, which had a wonderfully taut spring right from the start, and great colour from the woodwinds, especially the clarinets. More>>

Scoop Review Of Books: Q&A: Prue Hyman On ‘Hopes Dashed?’

For Scoop Review of Books, Alison McCulloch interviewed Prue Hyman about her new book, part of the BWB Texts series, Hopes Dashed? The Economics of Gender Inequality More>>

Gordon Campbell: On Chuck Berry (And James Comey, And Bill English)

Back when many people were still treating rock’n’roll as a passing fad – was calypso going to be the new thing? – Chuck Berry knew that it had changed popular music forever. What is even more astonishing is that this 30-ish black r&b musician from a middle class family in St Louis could manage to recreate the world of white teenagers, at a time when the very notion of a “teenager” had just been invented. More>>

Howard Davis Review:
The Baroque Fusion Of L'arpeggiata

Named after a toccata by German composer Girolamo Kapsberger, L'Arpeggiata produces its unmistakable sonority mainly from the resonance of plucked strings, creating a tightly-woven acoustic texture that is both idiosyncratic and immediately identifiable. Director Christina Pluhar engenders this distinctive tonality associated with the ensemble she founded in 2000 by inviting musicians and vocalists from around the world to collaborate on specific projects illuminated by her musicological research. More>>

African Masks And Sculpture: Attic Discovery On Display At Expressions Whirinaki

Ranging from masks studded with nails and shards of glass to statues laden with magical metal, the works are from ethnic groups in nine countries ranging from Ivory Coast to the Democratic Republic of the Congo. More>>

Get More From Scoop

 
 

LATEST HEADLINES

 
 
 
 
Culture
Search Scoop  
 
 
Powered by Vodafone
NZ independent news