Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search


Hendrik Kerstens + Erwin Olaf

MEDIA RELEASE 18 August 2015

For immediate release

6 September – 15 November 2015

The Whangarei Art Museum presents Hendrik Kerstens + Erwin Olaf. An exhibition featuring the works of two leading international contemporary photographers.

Since 1995 Hendrik Kerstens has been photographing his daughter, Paula, beginning as a series capturing the fleeting time of childhood. A moment of revelation occurred for Kerstens, which would later lead him to develop a series of portraits emulating the style of the Dutch masters: “One day Paula came back from horseback riding. She took off her cap and I was struck by the image of her hair held together by a hair-net. It reminded me of the portraits by the Dutch masters and I portrayed her in that fashion. After that I started to do more portraits in which I refer to the paintings of that era. The thing that fascinates me in particular is the way a seventeenth-century painting is seen as a surface which can be read as a description of everyday life as opposed to the paintings of the Italian Renaissance, which usually tell a story. Northern European painting relies much more on craftsmanship and the perfect rendition of the subject. The use of light is instrumental in this.”

At first glance the style of the photographs distinctly speak of the works of Johannes Vermeer, depicting portraits of Paula seemingly dressed in 17th Century Dutch costume. On closer contemplation Kerstens’ original moment of revelation is echoed when the viewer discovers the costume is made up of everyday modern objects, often announced in the title of the works, such as Bag – portraying Paula with a headdress styled from a plastic bag.

Erwin Olaf’s Keyhole series was centred around his first 3D installation The Keyhole (2011/2012). Exploring the themes of intimacy, shame and feelings of guilt, each of the photographs show a solitary figure – either turned away or with their gaze downcast in a private moment of their own internal world.

In 1987 Olaf began working with film, which has been an important influence on his art practice. His perfectly crafted scenes are strikingly composed, yet leave much to the imagination. His technique delivers a dramatic visual impact while often leaving the visitor curiously unsettled by the unspoken conclusions.

Exhibition supported by the Embassy of the Kingdom of the Netherlands.

© Scoop Media

Culture Headlines | Health Headlines | Education Headlines


Howard Davis:
Entre-Deux-Guerres - Aldous Huxley's Crome Yellow - Pt I

Aldous Huxley's first novel, published in 1921, is a desiderium of a peculiarly English class of aristocrats and intellectuals who lived in an era that withered away a century ago. More>>

Joseph Cederwall: WOMAD - Love Will Lead Us Home

The events of Friday, moments before the gates opened cast an entirely different shadow over the festival and highlight the importance of such events as a way of growing closer together. More>>

Howard Davis: The Puzzling Poetic Praxis of J.H. Prynne - Pt II

Given the historical and socio-cultural context from which Prynne's poetry emerged, a panoptical perspective on what his poems might be trying to say is indispensable to its comprehension. With some sequences this can be an exceptionally demanding challenge, requiring a great deal of perseverance, concentration, and endurance. More>>

Truth And Beauty: 2019 Ockham Book Award Finalists

The Cage by Lloyd Jones, This Mortal Boy by Fiona Kidman, All This By Chance by Vincent O’Sullivan, and The New Ships by Kate Duignan are shortlisted for the $53,000 Acorn Foundation Fiction Prize. More>>


Measles: Two Measles Cases Notified In Auckland

Auckland Regional Public Health Service (ARPHS) is asking people who may have been exposed to measles in three public locations to be alert to symptoms. More>>




  • Wellington
  • Christchurch
  • Auckland