Book Reviews | Gordon Campbell | News Flashes | Scoop Features | Scoop Video | Strange & Bizarre | Search

 


Scoop Review: Carandiru

Scoop Review: Carandiru

By Yasmine Ryan

Directed by Hector Babenco

Screenplay by Hector Babenco and Victor Navas Fernando

Based on the book “Carandiru Station”, by Dr Drauzio Varella

Starring Caio Blat, Gero Camilo, Milton Goncalves, Nelson Machado, Maria Luisa Mendonca, Lazaro Ramos, Rodrigo Santoro, Luis Vasconcuelos, Ivan de Almeida, Ailton Graça, Wagner Moura, Milhem Cortaz

Screening at Auckland’s Academy theatre.


Even for the most hardened criminals, Carandiru House of Detention, São Paulo, was a frightening place. The hellish scenario of masses of bodies, confined within the crumbling walls of a prison where guards had less control over what went on internally than the leaders of the three gangs. Technically, Carandiru was the purgatory of the Brazilian prison system; where prisoners not yet convicted awaited their trial, sometimes for many years.

In his cinematic portrayal of what was Latin America’s largest house of detention (or House of Death, as it came to be known) until its destruction in 2002, Director Babenco gets beneath the unsightly skin of Carandiru and shows his audience something of its essence.

And that is what this film is about. It is not about any individual character, but rather the tapestry woven by their collected stories. It is the story of the people of Carandiru.

The film is based on a book by Dr Drauzio Varella, called “Carandiru Station.” Dr Varella worked in the prison; his voluntary services were the only medical care provided to the inmates. He battles with rudimentary equipment, severe overcrowding (7,257 inmates are housed in facilities designed to hold 3,300), and a prison culture that revolves around drug use and promiscuous sex. Of particular concern is the prison’s looming HIV epidemic.

The doctor is the spectator’s key into Carandiru, he interacts with the prisoners as only a non-partisan outsider could. He becomes a trusted confidante to many of them, and they begin to tell him their stories. Their stories offer a glimpse into the criminal world. They are not presented as innocent victims, or as soulless monsters. They are shown as being human. Each has his own worries, and each copes with the dire environment in a different way.

The prison surroundings bring mostly despair to the characters. Some of them find hope, however, and in the case of No Way (Gero Camilo) and transgender Lady Di (Rodrigo Santoro), it brings a fairytale romance.

The colour and life and occasionally even comedy of Carandiru are presented alongside its misery – Carandiru was by no means as sterile and hospital–like as many modern prisons are. Prison visiting day is a festival, where families come to picnic with their loved once. The walls of the prison are decorated with beautiful and symbolic graffiti.

The final part of the film – which focuses on the event that made Carandiru internationally infamous – is understandably much more gritty and intense. On October 2 1992, the fighting amongst the prisoners turned into riots, and they took over Carandiru Penitentiary.

Police forces were sent in to regain control. Although it took them just an hour to secure the prison, they spent the next 5 hours executing inmates. It was not self-defence: not a single member of the police was killed. 111 prisoners died. There was an average of five bullet wounds per body. Many were sitting, kneeling, or lying in their beds when they were murdered.

The theme of truth and guilt are strong in Carandiru. The film does not claim to have a monopoly on the truth, and it does not judge whom is guilty and whom is innocent. As one prisoner puts it, “The prison is not the residence of the truth.”

© Scoop Media

 
 
 
 
 
Top Scoops Headlines

 

Werewolf: Living With Rio’s Olympic Ruins

Mariana Cavalcanti Critics of the Olympic project can point a discernible pattern in the delivery of Olympics-related urban interventions: the belated but rushed inaugurations of faulty and/or unfinished infrastructures... More>>

Live Blog On Now: Open Source//Open Society Conference

The second annual Open Source Open Society Conference is a 2 day event taking place on 22-23 August 2016 at Michael Fowler Centre in Wellington… Scoop is hosting a live blog summarising the key points of this exciting conference. More>>

ALSO:

Buildup:

Gordon Campbell: On The Politicising Of The War On Drugs In Sport

It hasn’t been much fun at all to see how “war on drugs in sport” has become a proxy version of the Cold War, fixated on Russia. This weekend’s banning of the Russian long jumper Darya Klishina took that fixation to fresh extremes. More>>

ALSO:

Binoy Kampmark: Kevin Rudd’s Failed UN Secretary General Bid

Few sights are sadder in international diplomacy than seeing an aging figure desperate for honours. In a desperate effort to net them, he scurries around, cultivating, prodding, wishing to be noted. Finally, such an honour is netted, in all likelihood just to shut that overly keen individual up. More>>

Open Source / Open Society: The Scoop Foundation - An Open Model For NZ Media

Access to accurate, relevant and timely information is a crucial aspect of an open and transparent society. However, in our digital society information is in a state of flux with every aspect of its creation, delivery and consumption undergoing profound redefinition... More>>

Keeping Out The Vote: Gordon Campbell On The US Elections

I’ll focus here on just two ways that dis-enfranchisement is currently occurring in the US: (a) by the rigging of the boundary lines for voter districts and (b) by demanding elaborate photo IDs before people are allowed to cast their vote. More>>

Ramzy Baroud: Being Black Palestinian - Solidarity As A Welcome Pathology

It should come as no surprise that the loudest international solidarity that accompanied the continued spate of the killing of Black Americans comes from Palestine; that books have already been written and published by Palestinians about the plight of their Black brethren. In fact, that solidarity is mutual. More>>

ALSO:


Get More From Scoop

 
 
 
 
 
 
 
Top Scoops
Search Scoop  
 
 
Powered by Vodafone
NZ independent news