Book Reviews | Gordon Campbell | News Flashes | Scoop Features | Scoop Video | Strange & Bizarre | Search

 


Arts Festival Review: Calexico

Arts Festival Review: Calexico

Review by Tyler Hersey

Calexico
Pacific Blue Festival Club
11 & 12 March


Making the best of the Festival Club's tricky combination of arena spaciousness and intimate theater-style seating, desert rock pioneers Calexico put on a superbly dynamic show for the first of two sold-out concerts, elevating from whisper quiet acoustic ballads to wall of sound psychedelic explorations in the space of their 90 minute set. The seven piece touring band enlarged the campfire laments of front man Joey Burns into pulsing blankets of guitar and vibraphone harmony, propelled by drummer John Covertino's relentlessly precise brush work on a minimalist kit.

Opening with the acoustic sunset lament “Bisbee Blue” from their 2006 long player Garden Ruin, Burns set a melancholy and introspective mood which permeated each song of the show, even through the rockier material. Pedal steel guitar player Paul Niehaus added plaintive, occasionally heartbreaking swells which lifted off the stage toward the high ceiling, his instrument effectively linking the simple acoustic foundation of each song with the electric reverb-drenched jams into which they often grew.

Joined by the rest of the players for a driving take on crowd favourite “Quattro (World Drifts In)” off 2003's Feast of Wire, the band settled into its trademark combination of cantering acoustic strums, mariachi trumpet stabs, keening single note guitar melodies, and Covertino's subtle virtuoso polyrhythms pulled from every face of his drums and cymbals. Joining the group for this tour are Jacob Valenzuela on trumpet and vocals, German bassist Volker Zander, guitarist Jairo Zavala, and multi-instrumentalist Martin Wenk, who concentrated on vibraphone but handled everything from vocal to keyboard duties with ease.

Baring equal parts tenderness and grit, the band drew a whirlwind of dust and brittle sagebrush around their stage full of instruments, exploring the lives and landscapes of their namesake border town with songs like passing train cars which gathered speed as they rolled toward the horizon. Burns sang with enough power and clarity of tone to lend a human element to his existential lyrics, guiding the audience through worlds laced with shadow strangers and occasional religious symbolism.

The centerpieces of the set were back-to-back readings of “House of Valparaiso” and “Two Silver Trees” from 2008's Carried to Dust, and it is in these indie rock based arrangements that the eclecticism and instrumentation of the band truly flourished. Rather than leaning on their previous decade of tex-mex and alt-country influence, this most recent album displays genius in its effortlessly complex chord changes and wash of sound created by interlocking string and mallet instruments.

The seriousness of this new material was offset by a few light, spiraling mariachi tunes sprinkled throughout the set, the band easily slipping them on like old boots which have formed around their feet after years on the road. The audience appreciatively clapped along with these galloping Spanish rhythms, yet amusingly had trouble keeping up with songs containing three beat measures, as the Kiwi musical DNA is solidly based on the second and fourth beats of each bar. Audience participation was more successful on “Across the Wire”, with an upbeat vocal melody which would be at home in the canon of Willie Nelson.

Closing the show with a rousing four-song encore which included a solo turn by Zavala on a song by his band Depedro, Burns capped the night by calling for their concert staple cover of Love's 1967 hit “Alone Again Or” which ran from a flamenco guitar intro to mariachi trumpet licks performed by Valenzuela and Wenk with flawless intonation, igniting the crowd into a well deserved standing ovation before they filtered out into a rainy night, quenching the dry desert air created inside by one of the decade's most unique musical ensembles.

********

Calexico are also playing at WOMAD on Sunday.

Press releases: New NZIAF Nightclub on the Wellington Waterfront, Womad: Music And Performance From Around The Globe
Arts Festival website: Calexico
Scoop Full Coverage: Arts Festival 2010

© Scoop Media

 
 
 
 
 
Top Scoops Headlines

 

Selpius Bobii:Tragic Bloodshed in Waghete, Papua - Suspected Serious Human Rights Violations

Ever since West Papua was annexed into the Republic of Indonesia on 1 May 1963, it has been nothing other than a land smeared with blood and at every moment the blood of Papuans has been shed by the continuous killings. More>>

Leslie Bravery: Simon Schama – Ideology Versus Truth And Reason

In the third part of his BBC history documentary The Story of the Jews Simon Schama announced “I am a Zionist and quite unapologetic about it.” That honest but blunt admission advises us that when the subject of Israel/Palestine is under discussion, ... More>>

Ramzy Baroud: South Vs. North: Yemen Teeters Between Hope And Division

On Oct 12, tens of thousands of Yemenis took to the streets of Eden in the South of the country, mostly demanding secession from the north. The date is significant, for it marks the 1967 independence of South Yemen, ending several decades of British ... More>>

Binoy Kampmark: Ralph Miliband: The Illusion Of Radical Change

Radical conservative critiques often suffer from one crippling flaw: they are mirrors of their revolutionary heritage, apologies for their own deceptions. If you want someone who detests the Left, whom better than someone formerly of the card carrying, ... More>>

Hadyn Green: TPP: This Is A Fight Worth Joining

Trade negotiations are tense affairs. There are always interested parties trying to get your ear, long nights spent arguing small but technical points, and the invisible but ever present political pressure. So it was in Brunei late August where the latest ... More>>

Ramzy Baroud: Giap, Wallace, And The Never-Ending Battle For Freedom

'Nothing is more precious than freedom,” is quoted as being attributed to Vo Nguyen Giap, a Vietnamese General that led his country through two liberation wars. The first was against French colonialists, the second against the Americans. More>>

John Chuckman: The Poor People Of Egypt

How is it that the people of Egypt, after a successful revolution against the repressive 30-year government of President Mubarak, a revolution involving the hopes and fears of millions and a substantial loss of life, have ended up almost precisely where ... More>>

Harvey Wasserman: 14,000 Hiroshimas Still Swing In The Fukushima Air...

Japan’s pro-nuclear Prime Minister has finally asked for global help at Fukushima. It probably hasn’t hurt that more than 100,000 people have signed petitionscalling for a global takeover; more than 8,000 have viewed a new YouTube on it. More>>

Get More From Scoop

 
 
TEDxAuckland
 
 
 
 
 
Top Scoops
Search Scoop  
 
 
Powered by Vodafone
NZ independent news