https://www.scoop.co.nz/stories/CU1006/S00128/not-your-nanas-china.htm
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Not your Nana’s china… |
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Not your Nana’s china…
A new look at an
old favourite at City Gallery
Wellington
Artist Lauren Lysaght gives
Crown Lynn a low-tech twist in her new exhibition The
Nita Gini Collection, which opens in the Hirschfeld
Gallery on June 26. Crown Lynn holds a special place in the
hearts of New Zealanders, and in this exhibition Lauren
Lysaght celebrates the nostalgic appeal of the swan vase,
the crown emblem and Crown Lynn’s 1960s ‘Roydon Tiny
Tots’ nurseryware series.
The Nita Gini Collection represents an individual response to the Crown Lynn story familiar to many New Zealanders. The exhibition adopts a brassy, mischievous and distinctly homemade aesthetic to consider objects we often call ‘precious’, in a new and extremely colourful light. Lauren Lysaght’s installation presents a unique gathering of ‘Crown Lynn’ objects, drawing on her grandmother Nita Gini’s collection. These objects have all been created by the artist using cardboard, plaster of Paris and an array of other craft and found materials. Lysaght has also created plinths and display furniture for the exhibition, using highly theatrical materials including fake leopard skin fabric, wood veneer and a range of found items.
Many of the pieces take a bizarre or macabre spin on familiar Crown Lynn items. The swans are chained together like giant ‘bling’ lockets; the crown emblem has taken on three dimensions and grown riotously decorative; the nursery series of ‘Roydon Tiny Tots’ are represented on series of urns which could contain the ashes of departed cats. Distinctive Crown Lynn designs take on a new life: dinner plate patterns become a floral beaded curtain, the crown emblem becomes three dimensional, and a polar bear bookend motif becomes a wall-mounted trophy. With its candyfloss pink walls, fake animal skins and fur, wood veneer and bright white creations, this is more than an exhibition – it is an experience.
Lauren Lysaght is a self-taught New
Zealand artist who deliberately adopts a nontraditional
style. Working across multiple disciplines, Lysaght often
uses 'low-rent', basic materials that might be found at a $2
shop to create provocative works directing attention to
significant personal issues and social injustices including
disability, aging, poverty, and mental illness. Lysaght’s
work is also playful, as in the recent Life Coaching
series of magnificent hearses exhibited at Whitespace,
Auckland. Lysaght is represented by Mary Newton Gallery,
Wellington, and Whitespace, Auckland. Her work is held in
numerous private and public collections including Te Papa
Tongarewa and the Chartwell
Collection.
With the support of the
Armstrong and Arthur Charitable Trust for Lesbians.
City Gallery Wellington on YouTube: http://www.youtube.com/citygallerywgtn
ends