Exhibition examines early New Zealand typography

Exhibition examines early New Zealand typography

Christchurch Art Gallery’s newest exhibition opens this Saturday and offers visitors a unique insight into graphic design and typography in New Zealand.

Max Hailstone: Te Ara Takahaka Tapuae / Points of Reference presents a body of work featuring the signature marks of the rangatira (Māori chiefs) who signed New Zealand's Treaty of Waitangi in 1840 and Declaration of Independence in 1835.

Christchurch Art Gallery director Jenny Harper says this is one of Hailstone's most controversial and important bodies of work.

"The work and influence of Max Hailstone is central to an understanding of graphic design and typography in New Zealand. He inspired a generation of designers throughout his national and international teaching career," she says.

"Te Ara Takahaka Tapuae / Points of Reference marks a culturally complex moment within New Zealand's visual arts, while also celebrating the beauty of mark-making by persons of mana within these documents of national significance – stirring up intrigue and debate in the process."

Hailstone's interest in the Treaty signatures was sparked in 1990 when he noted the cool, impersonal language surrounding judgements on land claims and Treaty grievances. He was inspired to create these works as a reminder that the Treaty is a "document of the people".

Born and trained in England, and recognised internationally for his work, Max Hailstone (1942–1997) led the graphic design department at the University of Canterbury School of Fine Arts throughout the 1970s, 80s and 90s.

Max Hailstone: Te Ara Takahaka Tapuae / Points of Reference is on display at Christchurch Art Gallery, 9 April – 28 August 2016. Entry is free.

Opening times: 10am–5pm daily. Late night Wednesday until 9pm.

Visit christchurchartgallery.org.nz for more information.

ENDS

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