Solo Exhibition: Jane Kellahan - Land of the Peacock
Land of the Peacock
Solo
Exhibition: Jane
Kellahan
17 – 31
July 2012 /
Preview: 5.30pm Tuesday 17
July
This stunning
exhibition by Jane Kellahan ‘The Land of the Peacock’
comprises a series of theatrical like paintings in which the
artist employs the use of masks and birds as symbols through
which to explore themes of masculinity, courtship,
relationships and identity. The artist uses these symbols in
order to engage with ideas of ‘peacocking’, which
references the occurrence in nature where male peacocks use
their colourful plumage in order to attract a mate. Like a
male peacock uses his feathers to attract a mate,
‘peacocking’ involves using a man’s clothing and
adapting his behavious in a flashy manner, for the purpose
of attracting a mate. Using this as her starting point she
has used bird and human forms together to expand ideas
around courtship rituals.
Kellahan also uses the symbol of the mask to highlight the ways people present themselves in certain situations – to hide particular aspects of themselves in their interaction with others.
The works in this exhibition are painted in Kellahan’s recognisable style. She manipulates scale, textures and tonal variety to achieve strong works imbued with light and potency. The artist has created works on canvas, paper and wood which consist of many layers of oil paint with a focus on form and colour. The paint has been worked and re--worked, resulting in physically rich paintings with resonant depth.
Kellahan is an internationally exhibited artist. In 2011 she was selected to represent New Zealand at the Biennale of Chianciano in Italy and won 3rd place in the Leonardo Prize (works on paper category).
In 2009 she won the trans-- Tasman Cricket Art Prize in Australia and was a finalist again in 2011. She has exhibited at the Florence Biennale in Italy, and her work featured in Denis Robinson's book, 'New Zealand's Favourite Artists'.
Predominantly self--taught, she attended courses at Central St Martins and Camberwell College of Arts in London. Her work was selected by the Royal Academy of Arts, London in 2000.

ENDS
New Zealand Kindergartens: 100-Years On - Investing In Teacher-Led, Quality Early Childhood Education Is Investing In Aotearoa’s Future
Dry July: Thousands Set To Go Alcohol Free This July As Cancer Diagnoses Continue To Rise Across Aotearoa
New Zealand College of Midwives: Celebrating Midwives Across Aotearoa This International Day Of The Midwife
PPTA Te Wehengarua: Building The Secondary Curriculum On Broken Drafts Is A Serious Risk
Whanganui Regional Museum: Whanganui Makers Bring Textile Traditions To Life During Symposium Weekend
Palmerston North Hospital Foundation: Fundraising For Publicly-Owned Surgical Robot Hits $2 Million Milestone In Less Than Three Months