Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search

 

STOMP Returns To New Zealand & It’s Better Than Ever!

The Broadway, West End And International Sensation Returns To
New Zealand, And It’s Better Than Ever!

The Broadway, West End and international sensation STOMP is back, and it’s better than ever! Following a sell-out visit in 2013, STOMP returns to New Zealand with its unstoppable energy and ‘pure stage magic’. The show will tour to Wellington, Christchurch and Auckland In May next year.

Wordless, witty and fun, STOMP has become a global phenomenon over the last 26 years. Its universal language of rhythm, theatre, comedy and dance has resonated with audiences throughout the world, setting feet stamping, fingers drumming and adrenaline rushing for over 12 million people in 55 countries across six continents. There are up to five STOMP companies performing worldwide at any time; one on tour in North America, another throughout Europe, one touring the rest of the world, one in New York (now in its 23rd year) and one in London (now celebrating its 15th year).

Eight performers use an array of ordinarily mundane objects, from which they create musical magic; an exhilarating soundtrack inspired by the commotion of everyday life. Everything from Zippo lighters, bin lids, and even the kitchen sink are used to hammer out an explosively feel-good rhythm enjoyed by audiences of all ages.

“Trolleys” plays on the everyday experience of negotiating a busy shopping aisle with a fully-laden supermarket trolley, with the piece building to STOMP’s first ever fully-fledged drum corps march: certainly an eye-catching spectacle. “Frogs” explores the bizarre sonic possibilities of a variety of plumbing fixtures: it has to be heard to be believed!

In another spectacular routine, paint cans are tossed between the performers, as they simultaneously build an astonishingly complex rhythm over every surface of the airborne cans. With the emphasis very much on ‘spectacular’, the Stompers are also joined by inflated monster truck inner tubes strapped around their waists to create both a dance of bobbing, whirling rubber skirts and pounding, portable drum kits – the ultimate redefinition of ‘surround sound’.

Still remaining is STOMP’s signature high-octane mix of slick choreography, tight ensemble work, industrial percussion, and continuous comedy; as the irrepressible troupe turn brooms into soft shoe partners, clapping into intricate conversations and water cooler bottles into sophisticated instruments.

Producer James Cundall, CEO of Lunchbox Theatrical Productions says “STOMP has to be one of my favourite shows. It is a unique and supremely clever idea, to create music from everyday objects and combine it with side-splitting comedy and intricate choreography to produce a polished theatrical performance, the likes of which you’ve never seen before.

“STOMP has little or no melody in the traditional sense, so it doesn’t matter if your taste in music is jazz, classical, dance or pop. The show has no words either, so it really is a show for everyone,” adds Mr Cundall.

Loved by audiences of all ages, this multi award-winning show has enjoyed 15 years in London’s West End, and will close at the Ambassadors Theatre in January. On Broadway STOMP is enjoying its 23rd year, breaking the record for the longest-running show at the Orpheum Theatre.

The fun started back in 1991 at the Edinburgh Festival in Scotland, with a single drum hanging around Co-Creator/Director Luke Cresswell’s neck. STOMP was an instant hit, becoming the Guardian’s "Critic's Choice" and winning the Daily Express's "Best of the Fringe" award, and went on to play to capacity audiences around the world. In 1994 STOMP received an Olivier Award nomination for “Best Entertainment” and won the award for "Best Choreography in a West End Show". With appearances at the Oscars, the Emmy's, on prime-time US TV shows such as Letterman and Leno, and even at the London 2012 Olympics, STOMP has become a household name across the world.

“We are really excited about coming back to New Zealand,” says STOMP’s Co-Creator/Director Steve McNicholas. “If you’ve never seen STOMP you should come and see what all the noise is about, and if you have, come again and see what’s new.”

"BIG, NOISY AND IRRESISTIBLE"
Sun Herald, Sydney

“BRILLIANT AND VERY FUNNY”
The New York Times

STOMP NEW ZEALAND TOUR
Wellington
Opera House
On sale 4pm, Friday, 17 November 2017
9 – 13 May 2018 7 performances
Wednesday 9-May 7.30pm
Thursday 10-May 7.30pm
Friday 11-May 7.30pm
Saturday 12-May 2.30pm & 7.30pm
Sunday 13-May 1.00pm & 5.00pm
Book at StompTour.co.nz


Christchurch
Isaac Theatre Royal
On sale 4pm, Friday, 17 November 2017
16 – 20 May 2018 7 performances
Wednesday 16-May 7.30pm
Thursday 17-May 7.30pm
Friday 18-May 7.30pm
Saturday 19-May 2.30pm & 7.30pm
Sunday 20-May 1.00pm & 5.00pm
Book at StompTour.co.nz


Auckland
The Civic
On sale 4pm, Friday, 17 November 2017
23 – 27 May 2018 7 performances
Wednesday 23-May 7.30pm
Thursday 24-May 7.30pm
Friday 25-May 7.30pm
Saturday 26-May 2.30pm & 7.30pm
Sunday 27-May 1.00pm & 5.00pm
Book at StompTour.co.nz


ENDS


© Scoop Media

 
 
 
Culture Headlines | Health Headlines | Education Headlines

 


Howard Davis: Emerald Fennell's Promising Young Woman'


The Guardian needed not one, but three reviews to do justice to Fennell's unsettling approach, which indicates exactly how ambiguous and controversial its message really is. More>>


Howard Davis: Jill Trevelyan's Rita Angus

Although Angus has become one of Aotearoa’s best-loved painters, the story of her life remained little known and poorly understood before Jill Trevelyan's acclaimed and revelatory biography, which won the Non Fiction Award at the Montana New Zealand Book Awards in 2009, and has now been republished by Te Papa press. More>>

Howard Davis: The Back of the Painting

Painting conservators are the forensic pathologists of the art world. While they cannot bring their subjects back to life, they do provide fascinating insights into the precise circumstances of a painting's creation, its material authenticity, and constructive methodology. More>>


Howard Davis: Black Panthers on the Prowl

A passionate and gripping political drama from Shaka King, this is an informative and instructive tale of human frailty that centers around the charismatic Chicago Black Panther leader Fred Hampton, who was murdered at the age of twenty-one during a police raid. More>>

Howard Davis: Controlling the High Ground

Stephen Johnson's raw and angry film not only poses important questions with scrupulous authenticity, but also provides a timely reminder of the genocidal consequences of casual bigotry and xenophobia. More>>

Howard Davis: Dryzabone - Robert Conolly's The Dry

After the terrible devastation caused by last year’s bushfires, which prompted hundreds of Australians to shelter in the ocean to escape incineration and destroyed uncountable amounts of wildlife, The Dry has been released during a totally different kind of dry spell. More>>


Howard Davis: Hit the Road, Jack - Chloé Zhao's Nomadland

Nomadland is perhaps the ultimately 'road' movie as it follows a group of dispossessed and disenfranchised vagabonds who find a form of communal refuge in camp sites and trailer parks after the economic contraction of 2008. More>>

 
 
 
 
 
 

LATEST HEADLINES

  • CULTURE
  • HEALTH
  • EDUCATION
 
 
  • Wellington
  • Christchurch
  • Auckland