Art & Entertainment | Book Reviews | Education | Entertainment Video | Health | Lifestyle | Sport | Sport Video | Search


Film Archive: Content May Offend Season

Film Archive: Content May Offend

On Wednesday nights in October the Film Archive presents CONTENT MAY OFFEND a series of New Zealand Features notorious for the censorship controversies they caused.

Films first screened In New Zealand in 1896 to great public enthusiasm. Almost immediately community groups responded with calls for censorship, believing the new medium encouraged crime, antisocial behaviour and sexual impropriety. It was not until 1916 however, that a system of censorship was formerly established when the Cinematographic-Films Censorship Act was passed.

Along with the act came the position of Chief Censor. Charged with protecting the public mind the Censor had wide discretionary powers and could reject any film that, in his opinion, depicted any matter ‘undesirable’ in the public interest. While most films, and there have been many, that have created controversy at the Censor’s Office have been produced overseas, there have been a number of New Zealand films that have been held up by the Censor.

The Te Kooti Trail (1927) caused our first home-grown censorship controversy when, ‘believing it could offend Maori sensibilities’, the Censor WA Tanner, delayed classifying the film until officials from the Ringatu Church could attend. After the preview two intertitles were changed and the film was released.

With few exceptions distributors have been fast to recognise the added box-office value a public censorship controversy creates. The Te Kooti Trail Producer/director, Rudall Hayward cashed in by creating a furore in local newspapers. His dramatic publicity read “Stopped by the NZ Film Censor Because of its Amazing Heroic Realism – then Released Because It Proved to Be the Truth.” Undoubtedly, the media coverage had an impact at the box office and The Te Kooti Trail did better than it might have otherwise.

Since The Te Kooti Trail only four New Zealand films have had serious ratings issues. The first two, Angel Mine (1978) and Squeeze (1980) met with the ire of Patricia Bartlett and the Society For the Promotion of Community Standards. While the society was unsuccessful in having either film banned, they did have some effect.

"Absolute rubbish, diabolical, crude, coarse and revolting...a jumble of a story" - Patricia Bartlett on Angel Mine, source unknown

Angel Mine was released with the most unique Censor’s note, ‘R18-Contains Punk Cult Material’, (except perhaps the 1967 ruling that Ulysses could only be screened to sexually segregated audiences!)

An organised campaign then successfully prevented Squeeze from obtaining funding from the newly established Film Commission. The Society also persuaded the Government to add a new clause to the Commission’s legislation, requiring it to take account of ‘public decency’ in any future funding decisions (this legislative requirement stills stands).

Once Were Warriors (1994) created opposition because of its violent subject matter. Released in 1994 with an R13 certificate it was an immediate success with an estimated one in three New Zealanders seeing the film. Since video release, and with new legislation in place, Once Were Warriors has carried the classification R-Contains Graphic Violence. The full legal classification is ‘objectionable except if the availability of the publication is restricted to persons who have attained the age of 16 years, or who are accompanied by a parent or guardian’. Interestingly, the film has shown on television, sans cuts.

Most recently Savage Honeymoon caused an outcry when it was rated R18 because of what was deemed, ‘anti-social behaviour’, including conspicuous and substantial consumption of alcohol. Marketed as a family comedy, the rating was appealed and changed to R15 with the note ‘Contains irresponsible behaviour associated with alcohol’.

Throughout October the Archive will screen Angel Mine, Squeeze, Once Were Warriors and Savage Honeymoon in its regular New Zealand Feature slot. You might be offended, you might join a cult, you might need a drink– but you were warned!


Angel Mine, R18 Contains Punk/Cult Material 6.30pm Wednesday 4 October

Squeeze, R18 6.30pm Wednesday 11 October

Once Were Warriors, R Contains Graphic Violence 6.30pm Wednesday 18 October

Savage Honeymoon, R15 Contains irresponsible behaviour associated with alcohol 6.30pm Wednesday 25 October


© Scoop Media

Culture Headlines | Health Headlines | Education Headlines

Legendary Bassist David Friesen Plays Wellington’s Newest Jazz Venue

Friesen is touring New Zealand to promote his latest album Another Time, Another Place, recorded live at Auckland's Creative Jazz Club in 2015. More>>

Howard Davis Review: The Father - Descending Into The Depths of Dementia

Florian Zeller's dazzling drama The Father explores the effects of a deeply unsettling illness that affects 62,000 Kiwis, a number expected to grow to 102,000 by 2030. More>>

Howard Davis Review: Blade Runner Redivivus

When Ridley Scott's innovative, neo-noir, sci-fi flick Blade Runner was originally released in 1982, at a cost of over $45 million, it was a commercial bomb. More>>

14-21 October: New Zealand Improv Festival In Wellington

Imagined curses, Shibuya’s traffic, the apocalypse, and motherhood have little in common, but all these and more serve as inspiration for the eclectic improvised offerings coming to BATS Theatre this October for the annual New Zealand Improv Festival. More>>


Bird Of The Year Off To A Flying Start

The competition asks New Zealanders to vote for their favourite bird in the hopes of raising awareness of the threats they face. More>>

Scoop Review Of Books:
Jenny Abrahamson's John & Charles Enys: Castle Hill Runholders, 1864-1891

This volume will be of interest to a range of readers interested in the South Island high country, New Zealand’s natural environment, and the history of science. More>>



  • Wellington
  • Christchurch
  • Auckland