Joe Pug NZ shows begin next week - Support announced
Tuning Fork in association with Love Police presents
Auckland and Christchurch
November 25 - 26
Lyttelton-based folk-punk musician and former frontman of 90's glam-rock group The Puffins will be opening for Joe Pug's special New Zealand shows in Auckland and Christchurch next week, 25 and 26th of November.
Lindon Puffin has released a handful of albums, toured NZ heaps, played overseas a bit, supported some famous bands, had an album blip momentarily in the top 10, produced a tragicomedy music doco called Figure 8000, fronted a bit of telly, restored a boat, built a house, had some kids and refers to himself as a fisherman trapped in a musicians body. If you were old enough to pass off a fake ID in the mid ’90s, you might remember The Puffins, an outrageous glam rock band that kicked it all off, however these days you’ll find him either at home with the kids watching Peppa Pig or playing Cure covers in the corner of a local bar. He’s still writing the odd song & after a few whiskeys will inevitably start slurring about a new album & a comeback tour…
Catch him at The Tuning Fork November 25th and Blue Smoke on the 26th supporting Joe Pug. Tickets available at Ticketmaster.
Joe Pug’s new record The Flood In Color is nearly four years in the making. But that betrays the fact that the making of the album was one of the most natural and rewarding processes of his career. Produced by Kenneth Pattengale of the Milk Carton Kids and engineered by Matt Ross-Spang, the album started with the goal of focusing on the simplicity of musicians playing together, live, in the same room. Recently relocating back to his childhood home in Prince Georges County, Maryland after many years spent in Chicago and Austin, Pug wanted to take a new approach. The partnership with Pattengale proved to be an irresistible opportunity to do just that.
"the listener is quickly reminded of the minimalist beauty that has painted the singer-songwriter’s career for more than a decade"
- No Depression
“The past couple of albums haven’t always been the most enjoyable to record. The process can really bring on all sorts of pressures about what you should be doing and how you should be doing it, both internally and externally. Lots of 'Songs need to be 3 and half minutes long’ and ‘You need something that will work on AAA radio’. And the end result is this strange gravity that just weighs you down.”
Pattengale, a fan of Pug’s music since the days of his 2010 EP Nation of Heat, was eager to try a back-to-basics approach.
“So Kenneth and I sort of had the idea to strip all that away. I was just going to write songs. And I was going to do it in a way that came naturally to me, and that I enjoyed. Get rid of all the external bullshit. Look….music isn’t my entire life. Sometimes I want to write songs. But other times I want to read books. I want to play with my kid. I want to cook. A couple of years ago I started a podcast. So that’s sort of how I approached this one. I’ll write songs the way I write songs. And when Kenneth and I had a few that we felt good about, we got together and dialled them in a bit further and worked on arrangements. Almost as friends as much as anything. And when we got them to a place we were happy with, we went to Nashville and recorded them. But through the whole affair, there was really no timetable I imposed on it.”
In 2015 Pug also launched the aforementioned podcast, which has gone on to enjoy tremendous success. The Working Songwriter is a monthly hour-long conversation with some of today’s best songwriters. Recent guests have included Josh Ritter, Amanda Palmer, Steve Earle, Brandon Flowers, Craig Finn, Ian MacKaye, Shakey Graves, Anais Mitchell and John Paul White. While its audience has grown, it’s always been more of a labour of love for Pug. “I didn’t hear the podcast I wanted to listen to, so I went ahead and just created it. From the very beginning, I had a pretty clear vision of what I wanted it to be. From there it was just a matter of convincing anyone to be on it! This was 2015, so it was still pretty early days for podcasting, so you’d get a lot of confused replies. ‘Wait, you want to interview me for an HOUR???’ “It’s made me reach out to the small community of people that do this for a living and given me a real sense of community. It started out with lots of friends and colleagues that I already knew, but since then I’ve gotten the opportunity to talk to lots of artists I hadn’t met prior. And it has been this absolutely incredible avenue to learning more about artists across genres. And in the process also learning about these very subtle but undeniable common threads that we all share because of our line of work.”
The Flood In Color track
2. The Flood in Color
3. The Letdown
4. Long Midnight
5. Blues Came Down
6. Moonlight of Your Room
7. Here Again
8. After Curfew
9. The Stranger I've Been
10. Empty Hands and Broad Shoulders